Scene II. A hall in the Castle.
[Enter Hamlet and cartain Players.]
Speak the speech, I pray you, as I pronounced it to you,
trippingly on the tongue: but if you mouth it, as many of your
players do, I had as lief the town crier spoke my lines. Nor do
not saw the air too much with your hand, thus, but use all
gently: for in the very torrent, tempest, and, as I may say,
whirlwind of passion, you must acquire and beget a
temperance that may give it smoothness. O, it offends me to the
soul, to hear a robustious periwig-pated fellow tear a passion to
tatters, to very rags, to split the cars of the groundlings, who,
for the most part, are capable of nothing but inexplicable dumb
shows and noise: I would have such a fellow whipped for o'erdoing
out-herods Herod: pray you avoid it.
I warrant your honour.
Be not too tame neither; but let your own discretion be your
tutor: suit the action to the word, the word to the action; with
this special observance, that you o'erstep not the modesty of
nature: for anything so overdone is from the purpose of playing,
whose end, both at the first and now, was and is, to hold, as
$BCU(Bwere, the mirror up to
nature; to show virtue her own image,
scorn her own image, and the very age and body of the time his
form and pressure. Now, this overdone, or come tardy off, though
it make the unskilful laugh, cannot but make the judicious
grieve; the censure of the which one must in your allowance,
o'erweigh a whole theatre of others. O, there be players that I
have seen play,--and heard others praise, and that highly,--not
to speak it profanely, that, neither having the accent of
Christians, nor the gait of
Christian, pagan, nor man, have so
strutted and bellowed that I have thought some of nature's
journeymen had made men, and not made them well, they imitated
humanity so abominably.
I hope we have reform'd that indifferently with us, sir.
O, reform it altogether. And let those that play your clowns
speak no more than is set down for them: for there be of them
that will themselves laugh, to set on some quantity of barren
spectators to laugh too, though in the meantime some necessary
question of the play be then to be considered: that's villanous
and shows a most pitiful ambition in the fool that uses it. Go
make you ready.
[Enter Polonius, Rosencrantz, and Guildenstern.]
How now, my lord! will the king hear this piece of work?
And the queen too, and that presently.
Bid the players make haste.
Will you two help to hasten them?
Ros. and Guil.
We will, my lord.
[Exeunt Ros. and Guil.]
What, ho, Horatio!
Here, sweet lord, at your service.
Horatio, thou art e'en as just a man
As e'er my conversation cop'd withal.
O, my dear lord,--
Nay, do not think I flatter;
For what advancement may I hope from thee,
no revenue hast, but thy good spirits,
To feed and clothe thee? Why should the poor be
No, let the candied tongue lick absurd pomp;
And crook the pregnant hinges of
Where thrift may follow fawning. Dost thou hear?
Since my dear soul was
mistress of her choice,
And could of men distinguish, her election
Hath seal'd thee for
herself: for thou hast been
As one, in suffering all, that suffers nothing;
A man that
Fortune's buffets and rewards
Hast ta'en with equal thanks: and bles'd are those
blood and judgment are so well commingled
That they are not a pipe for Fortune's
To sound what stop she please. Give me that man
That is not passion's slave, and
I will wear him
In my heart's core, ay, in my heart of heart,
As I do thee.--Something
too much of this.--
There is a play to-night before the king;
One scene of it comes near
Which I have told thee, of my father's death:
I pr'ythee, when thou
see'st that act a-foot,
Even with the very comment of thy soul
Observe mine uncle: if
his occulted guilt
Do not itself unkennel in one speech,
It is a damned ghost that we
And my imaginations are as foul
As Vulcan's stithy. Give him heedful
For I mine eyes will rivet to his face;
And, after, we will both our judgments
In censure of his seeming.
Well, my lord:
If he steal aught the whilst this play is playing,
detecting, I will pay the theft.
They are coming to the play. I must be idle:
Get you a place.
[Danish march. A flourish. Enter King, Queen, Polonius, Ophelia,
Guildenstern, and others.]
How fares our cousin Hamlet?
Excellent, i' faith; of the chameleon's dish: I eat the air,
promise-crammed: you cannot feed capons so.
I have nothing with this answer, Hamlet; these words are not
No, nor mine now. My lord, you play'd once i' the university, you
say? [To Polonius.]
That did I, my lord, and was accounted a good actor.
What did you enact?
I did enact Julius Caesar; I was kill'd i' the Capitol; Brutus
It was a brute part of him to kill so capital a calf there.--Be
the players ready?
Ay, my lord; they stay upon your patience.
Come hither, my dear Hamlet, sit by me.
No, good mother, here's metal more attractive.
O, ho! do you mark that? [To the King.]
Lady, shall I lie in your lap?
[Lying down at Ophelia's feet.]
No, my lord.
I mean, my head upon your lap?
Ay, my lord.
Do you think I meant country matters?
I think nothing, my lord.
That's a fair thought to lie between maids' legs.
What is, my lord?
You are merry, my lord.
Ay, my lord.
O, your only jig-maker! What should a man do but be merry?
for look you how cheerfully my mother looks, and my father died
within 's two hours.
Nay, 'tis twice two months, my lord.
So long? Nay then, let the devil wear black, for I'll have a
suit of sables. O heavens! die two months ago, and not forgotten
yet? Then there's hope a great man's memory may outlive his life
half a year: but, by'r lady, he must build churches then; or else
shall he suffer not thinking on, with the hobby-horse, whose
epitaph is 'For, O, for, O, the hobby-horse is forgot!'
[Trumpets sound. The dumb show enters.]
[Enter a King and a Queen very lovingly; the Queen embracing
him and he her. She kneels, and makes show of protestation
unto him. He takes her up, and declines his head upon her
neck: lays him down upon a bank of flowers: she, seeing
him asleep, leaves him. Anon comes in a fellow, takes off his
crown, kisses it, pours poison in the king's ears, and exit. The
Queen returns, finds the
King dead, and makes passionate action.
The Poisoner with some three or four Mutes, comes
seeming to lament with her. The dead body is carried away. The
Poisoner wooes the Queen
with gifts; she seems loth and unwilling
awhile, but in the end accepts his love.]
What means this, my lord?
Marry, this is miching mallecho; it means mischief.
Belike this show imports the argument of the play.
We shall know by this fellow: the players cannot keep counsel;
they'll tell all.
Will he tell us what this show meant?
Ay, or any show that you'll show him: be not you ashamed to
show, he'll not shame to tell you what it means.
You are naught, you are naught: I'll mark the play.
For us, and for our tragedy,
Here stooping to your clemency,
We beg your hearing patiently.
Is this a prologue, or the posy of a ring?
$BC5(Bis brief, my lord.
As woman's love.
[Enter a King and a Queen.]
Full thirty times hath Phoebus' cart gone round
Neptune's salt wash and
Tellus' orbed ground,
And thirty dozen moons with borrow'd sheen
About the world have
times twelve thirties been,
Since love our hearts, and Hymen did our hands,
commutual in most sacred bands.
So many journeys may the sun and moon
Make us again count o'er ere love
But, woe is me, you are so sick of late,
So far from cheer and from your former
That I distrust you. Yet, though I distrust,
Discomfort you, my lord, it nothing
For women's fear and love holds quantity;
In neither aught, or in extremity.
what my love is, proof hath made you know;
And as my love is siz'd, my fear is so:
love is great, the littlest doubts are fear;
Where little fears grow great, great love
Faith, I must leave thee, love, and shortly too;
My operant powers their
functions leave to do:
And thou shalt live in this fair world behind,
and haply one as kind
For husband shalt thou,--
O, confound the rest!
Such love must needs be treason in my breast:
second husband let me be accurst!
None wed the second but who kill'd the first.
[Aside.] Wormwood, wormwood!
The instances that second marriage move
Are base respects of thrift, but
none of love.
A second time I kill my husband dead
When second husband kisses me in
I do believe you think what now you speak;
But what we do determine oft we
Purpose is but the slave to memory;
Of violent birth, but poor validity:
now, like fruit unripe, sticks on the tree;
But fall unshaken when they mellow be.
necessary 'tis that we forget
To pay ourselves what to ourselves is debt:
ourselves in passion we propose,
The passion ending, doth the purpose lose.
of either grief or joy
Their own enactures with themselves destroy:
Where joy most
revels, grief doth most lament;
Grief joys, joy grieves, on slender accident.
is not for aye; nor 'tis not strange
That even our loves should with our fortunes
For 'tis a question left us yet to prove,
Whether love lead fortune, or else
The great man down, you mark his favourite flies,
The poor advanc'd makes
friends of enemies;
And hitherto doth love on fortune tend:
For who not needs shall
never lack a friend;
And who in want a hollow friend doth try,
Directly seasons him his
But, orderly to end where I begun,--
Our wills and fates do so contrary run
our devices still are overthrown;
Our thoughts are ours, their ends none of our own:
think thou wilt no second husband wed;
But die thy thoughts when thy first lord is dead.
Nor earth to me give food, nor heaven light!
Sport and repose lock from
me day and night!
To desperation turn my trust and hope!
An anchor's cheer in prison be
Each opposite that blanks the face of joy
Meet what I would have well, and it
Both here and hence pursue me lasting strife,
If, once a widow, ever I be
If she should break it now! [To Ophelia.]
$BC5(Bis deeply sworn. Sweet, leave me here awhile;
My spirits grow dull, and
fain I would beguile
The tedious day with sleep.
Sleep rock thy brain,
And never come mischance between us twain!
Madam, how like you this play?
The lady protests too much, methinks.
O, but she'll keep her word.
Have you heard the argument? Is there no offence in't?
No, no! They do but jest, poison in jest; no offence i' the
What do you call the play?
The Mouse-trap. Marry, how? Tropically. This play is the
image of a murder done in Vienna: Gonzago is the duke's name;
his wife, Baptista: you shall see anon; 'tis a knavish piece of
work: but what o' that? your majesty, and we that have free
souls, it touches us not: let the gall'd jade wince; our withers
This is one Lucianus, nephew to the King.
You are a good chorus, my lord.
I could interpret between you and your love, if I could see
the puppets dallying.
You are keen, my lord, you are keen.
It would cost you a groaning to take off my edge.
Still better, and worse.
So you must take your husbands.--Begin, murderer; pox, leave
thy damnable faces, and begin. Come:--'The croaking raven doth
bellow for revenge.'
Thoughts black, hands apt, drugs fit, and time agreeing;
else no creature seeing;
Thou mixture rank, of midnight weeds collected,
ban thrice blasted, thrice infected,
Thy natural magic and dire property
life usurp immediately.
[Pours the poison into the sleeper's ears.]
He poisons him i' the garden for's estate. His name's Gonzago:
The story is
extant, and written in very choice Italian; you
shall see anon how the murderer gets the love of Gonzago's wife.
The King rises.
What, frighted with false fire!
How fares my lord?
Give o'er the play.
Give me some light:--away!
Lights, lights, lights!
[Exeunt all but Hamlet and Horatio.]
Why, let the strucken deer go weep,
The hart ungalled play;
For some must watch, while some must sleep:
So runs the world away.--
Would not this, sir, and a forest of feathers--if the rest of
fortunes turn Turk with me,--with two Provincial roses on my
razed shoes, get me a fellowship in a cry of players, sir?
Half a share.
A whole one, I.
For thou dost know, O Damon dear,
This realm dismantled was
Of Jove himself; and now reigns here
A very, very--pajock.
You might have rhymed.
O good Horatio, I'll take the ghost's word for a thousand
pound! Didst perceive?
Very well, my lord.
Upon the talk of the poisoning?--
I did very well note him.
Ah, ha!--Come, some music! Come, the recorders!--
For if the king like not the comedy,
Why then, belike he likes it not, perdy.
Come, some music!
[Enter Rosencrantz and Guildenstern.]
Good my lord, vouchsafe me a word with you.
Sir, a whole history.
The king, sir--
Ay, sir, what of him?
Is, in his retirement, marvellous distempered.
With drink, sir?
No, my lord; rather with choler.
Your wisdom should show itself more richer to signify this to
the doctor; for me to put him to his purgation would perhaps
plunge him into far more choler.
Good my lord, put your discourse into some frame, and start
not so wildly from my affair.
I am tame, sir:--pronounce.
The queen, your mother, in most great affliction of spirit,
hath sent me to you.
You are welcome.
Nay, good my lord, this courtesy is not of the right breed.
If it shall
please you to make me a wholesome answer, I will do
your mother's commandment: if not, your pardon and my return
shall be the end of my business.
Sir, I cannot.
What, my lord?
Make you a wholesome answer; my wit's diseased: but, sir, such
answer as I can make, you shall command; or rather, as you say,
my mother: therefore no more, but to the matter: my mother, you
Then thus she says: your behaviour hath struck her into
amazement and admiration.
O wonderful son, that can so stonish a mother!--But is there no
sequel at the heels of this mother's admiration?
She desires to speak with you in her closet ere you go to bed.
We shall obey, were she ten times our mother. Have you any
further trade with us?
My lord, you once did love me.
And so I do still, by these pickers and stealers.
Good my lord, what is your cause of distemper? you do, surely,
bar the door upon your own liberty if you deny your griefs to
Sir, I lack advancement.
How can that be, when you have the voice of the king himself
for your succession in Denmark?
Ay, sir, but 'While the grass grows'--the proverb is something
[Re-enter the Players, with recorders.]
O, the recorders:--let me see one.--To withdraw with you:--why do
you go about to recover the wind of me, as if you would drive me
into a toil?
O my lord, if my duty be too bold, my love is too unmannerly.
I do not well understand that. Will you play upon this pipe?
My lord, I cannot.
I pray you.
Believe me, I cannot.
I do beseech you.
I know, no touch of it, my lord.
$BC5(Bis as easy as lying: govern these ventages with your
finger and thumb, give it breath with your mouth, and it will
discourse most eloquent music. Look you, these are the stops.
But these cannot I command to any utterance of harmony; I
have not the skill.
Why, look you now, how unworthy a thing you make of me! You
would play upon me; you would seem to know my stops; you would
pluck out the heart of my mystery; you would sound me from my
lowest note to the top of my compass; and there is much music,
excellent voice, in this little organ, yet cannot you make it
speak. 'Sblood, do you think I am easier to be played on than a
pipe? Call me what instrument you will, though you can fret me,
you cannot play upon me.
God bless you, sir!
My lord, the queen would speak with you, and presently.
Do you see yonder cloud that's almost in shape of a camel?
By the mass, and 'tis like a camel indeed.
Methinks it is like a weasel.
It is backed like a weasel.
Or like a whale.
Very like a whale.
Then will I come to my mother by and by.--They fool me to the
top of my bent.--I will come by and by.
I will say so.
By-and-by is easily said.
--Leave me, friends.
[Exeunt Ros, Guil., Hor., and Players.]
$BC5(Bis now the very witching time of night,
When churchyards yawn, and hell itself
Contagion to this world: now could I drink hot blood,
And do such bitter
business as the day
Would quake to look on. Soft! now to my mother.--
O heart, lose not
thy nature; let not ever
The soul of Nero enter this firm bosom:
Let me be cruel, not
I will speak daggers to her, but use none;
My tongue and soul in this be
How in my words somever she be shent,
To give them seals never, my soul,